Died at 95
male
Robert Selden Duvall (January 5, 1931 – February 15, 2026) was an American actor and filmmaker. He is the recipient of an Academy Award, four Golden Globe Awards, a BAFTA Award, two Primetime Emmy Awards and a Screen Actors Guild Award. Duvall began appearing in theater in the late 1950s, moving into television and film roles during the early 1960s, playing Boo Radley in To Kill a Mockingbird (1962) and appearing in Captain Newman, M.D. (1963), as Major Frank Burns in the blockbuster comedy M*A*S*H (1970) and the lead role in THX 1138 (1971), as well as Horton Foote's adaptation of William Faulkner's Tomorrow (1972), which was developed at The Actors Studio and is his personal favorite. This was followed by a series of critically lauded performances in commercially successful films. He has starred in numerous films and television series, including The Twilight Zone (1963), Bullitt (1968), True Grit (1969), The Godfather (1972), The Godfather Part II (1974), The Conversation (1974), Network (1976), Apocalypse Now (1979), Tender Mercies (1983) (which earned him the Academy Award for Best Actor), The Natural (1984), The Handmaid's Tale (1990), Days of Thunder (1990), Falling Down (1993), Secondhand Lions (2003), The Judge (2014), and Widows (2018). His final role was in The Pale Blue Eye (2022).
Following his early retirement as a detective from the San Francisco Police Department, John Ferguson - Scottie to his friends - becomes obsessed with two women in succession, those obsessions which trouble his long time friend and former fiancée, Midge Wood, a designer of women's undergarments. The first is wealthy and elegant platinum blonde Madeleine Elster, the wife of his college acquaintance Gavin Elster, who hires John to follow her in Gavin's belief that she may be a danger to herself in thinking that she has recently been possessed by the spirit of Carlotta Valdes, Madeleine's great-grandmother who she knows nothing about, but who Gavin knows committed suicide in being mentally unbalanced when she was twenty-six, Madeleine's current age. The second is Judy Barton, who John spots on the street one day. Judy is a working class girl, but what makes John obsessed with her is that, despite her working class style and her brunette hair, she is the spitting image of Madeleine, into who he tries to transform Judy. The initial question that John has is if there is some connection between Madeleine and Judy. What happens between John and individually with Madeleine and Judy is affected by the reason John took that early retirement: a recent workplace incident that showed that he is acrophobic which leads to a severe case of vertigo whenever he looks down from tall heights
