Age: 48
male
Matthew Goode (born 3 April 1978) is an English actor. He made his screen debut in 2002 with ABC's TV film feature Confessions of an Ugly Stepsister. His breakthrough role was in the romantic comedy Chasing Liberty (2004), for which he received a nomination at Teen Choice Awards for Choice Breakout Movie Star – Male. He then appeared in a string of supporting roles in films like Woody Allen's Match Point (2005), the German-British romantic comedy Imagine Me and You (2006), and the period drama Copying Beethoven (2006). He won praise for his performance as Charles Ryder in Julian Jarrold's adaptation of Evelyn Waugh's Brideshead Revisited (2008), and as Ozymandias in the American neo-noir superhero film Watchmen (2009), based on the comics by Alan Moore and Dave Gibbons. He then starred in romantic comedy Leap Year (2010) and Australian drama Burning Man (2011), the latter earning him a nomination for Best Actor at the Film Critics Circle of Australia Awards. Other notable film roles include The Lookout (2007), A Single Man (2009), Cemetery Junction (2010), Stoker (2013), Belle (2013), The Imitation Game (2014) and Self/less (2015). As well as appearing in films, Goode has appeared in numerous television shows. His most notable television roles include Henry Talbot in the final season of historical drama Downton Abbey, and Finley "Finn" Polmar in the CBS legal drama The Good Wife. He also had a lead role in the critically acclaimed British mini-serial Dancing on the Edge, as music journalist Stanley Mitchell. In 2017, Goode portrayed Antony Armstrong-Jones, 1st Earl of Snowdon in the Netflix biographical drama series The Crown, for which he received a Primetime Emmy Award nomination for Outstanding Guest Actor in a Drama Series. As of 2018, he stars in Sky One's fantasy-romance series, A Discovery of Witches, as Professor Matthew Clairmont.
Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night their family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents would devastate the already grieving father. But as Lowen's feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife's words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue to love her.
