Age: 33
female
Jessica Green, was born on February 11, 1993, in Tasmania, Australia. With her striking blue eyes and a height of 5’9" (1.75 m), she has made a significant impact in the entertainment industry. In her early career, she appeared in minor roles in films such as Peter Pan (Universal Pictures) and Aqua Marine (Fox). However, her breakthrough came in 2013 when she secured the lead role of “KIKI” in the Jonathon M. Shiff production LIGHTNING POINT (also known as Alien Surf Girls). This role required her to surf and ride horses, showcasing her versatility. Jessica continued to make her mark in the industry with film appearances. Notably, she played ‘Rebecca’ in the Australian action-thriller RED BILLABONG (Sparke Films) in 2016. Her talent and dedication also led her to a role in PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales (Disney). In 2017, Jessica portrayed Cleopatra in ROMAN EMPIRE (Netflix) and Lexx in ASH VS EVIL DEAD (Starz), further establishing her presence on the international stage. However, her most iconic role to date is that of ‘TALON’ in THE OUTPOST, a fantasy adventure series that aired on The CW Network and NBCU SYFY channels. Jessica performed her own stunts, including wire work, demonstrating her mixed martial arts, horse riding, and weapon skills.
Noa Sterling spent a decade as the public face and quiet creative engine behind Aurelian House, the storied fashion label run by the magnetic, controlling Julian Vasse. When Julian takes sole credit for a collection Noa designed in its entirety, she walks — with nothing but her sketchbooks, a small loyal team, and a five-year non-compete clause her lawyer says is unenforceable and everyone else says will end her career. Season one follows the brutal, glamorous, occasionally absurd climb of building Sterling Row from nothing, financed in part by a venture capitalist named Adam Reyes whose interest in Noa is clearly not only professional. As the label's first runway show approaches, Noa must navigate industry sabotage, a press narrative that paints her as either a victim or a thief, a complicated not-quite-reconciliation with her estranged mother, and the growing realisation that Adam may be the first person in a decade who wants her to win for her own sake rather than his.
