Age: 33
female
Jessica Green, was born on February 11, 1993, in Tasmania, Australia. With her striking blue eyes and a height of 5’9" (1.75 m), she has made a significant impact in the entertainment industry. In her early career, she appeared in minor roles in films such as Peter Pan (Universal Pictures) and Aqua Marine (Fox). However, her breakthrough came in 2013 when she secured the lead role of “KIKI” in the Jonathon M. Shiff production LIGHTNING POINT (also known as Alien Surf Girls). This role required her to surf and ride horses, showcasing her versatility. Jessica continued to make her mark in the industry with film appearances. Notably, she played ‘Rebecca’ in the Australian action-thriller RED BILLABONG (Sparke Films) in 2016. Her talent and dedication also led her to a role in PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales (Disney). In 2017, Jessica portrayed Cleopatra in ROMAN EMPIRE (Netflix) and Lexx in ASH VS EVIL DEAD (Starz), further establishing her presence on the international stage. However, her most iconic role to date is that of ‘TALON’ in THE OUTPOST, a fantasy adventure series that aired on The CW Network and NBCU SYFY channels. Jessica performed her own stunts, including wire work, demonstrating her mixed martial arts, horse riding, and weapon skills.
Jessica Green
Noa Sterling
for Noa Sterling in Velvet Hour — The House You Build
Suggested by mr95
Sterling Row turns five years old with a retrospective runway show that doubles as the most ambitious collection of Noa's career — and a forced reunion of nearly every major figure from the show's run, including Julian Vasse, now attempting a humbled comeback, and Adam, whose feelings for Noa have never fully resolved despite four years and a serious relationship of his own. Eleanor's health crisis brings mother and daughter to their most honest conversation in two decades. Reiko's growing role at Sterling Row crystallises into a question about Noa's future both professionally and personally. The final season builds toward the retrospective show itself as the emotional and narrative culmination of the entire series — and asks, finally, what Noa actually wants now that she has everything she once said she did.
