
Age: 25
male
Jackson Yee (Chinese: 易烊千玺; pinyin: Yi Yangqianxi; born 28 November 2000) is a Chinese actor and singer who graduated from The Central Academy of Drama. Already a major star across Asia by 13, Yee gained international recognition with his film debut Better Days (2019), which was Oscar-nominated. Filmed at 17, the role earned him numerous Best Newcomer awards. He went on to star in a string of record-breaking hits, including A Little Red Flower (2020), The Battle at Lake Changjin (2021, China’s highest-grossing live-action film), Nice View (2022), Full River Red (the highest-grossing Asian film of 2023), Scare Out (2026) and Big World (2024, TIFF-JP Audience Award), a micro-budget hit. His engagement with challenging, auteur-oriented works continues with projects such as Cannes-winning Resurrection (2025). Across seven leading roles, Yee’s films have grossed over US$3 billion worldwide with 500 million admissions. Jackson Yee’s leading projects have exceeded RMB 100 million in pre-sales for eight consecutive years, including Resurrection (2025), excluding previews. He has received Best Actor nominations from all of China’s major film awards and became the youngest Golden Rooster winner at age 24. Widely regarded as the leading figure in contemporary Chinese cinema, Yee is noted for his charisma, versatility, and ability to navigate both commercial and arthouse filmmaking. He topped the Forbes China Celebrity List in 2020 and 2021 before its discontinuation.

(Super Intense, slick, stylish, and hyperviolent martial arts + gun-fu action. Based on the popular video game, Cyberpunk theme) When a catastrophic radianite containment breach turns a once-thriving research city into a toxic ruin, the survivors, elite agents from rival factions, are herded into a sealed combat zone under the guise of "containment." The walls hum with surveillance tech, recording every strike, every gunshot, every kill. What begins as a scramble for survival becomes a savage gauntlet of bone-snapping martial arts and close-range executions, captured in relentless, unbroken camera sweeps. Each time a protagonist claws their way through a fight, they're dropped mid-step by an unseen ambush, the perspective shifting to their killer. No one realizes the truth: their slaughter is being broadcast to overseers who never intend to let anyone leave alive






