Age: 60
male
Douglas Henshall was born in Glasgow, Scotland in November 1965. His mother was a nurse and his father a salesman. He is the youngest of three children and has two older sisters. He grew up in Barrhead and attended Barrhead High School. Whilst at school a friend asked him to join The Scottish Youth Theatre based in Glasgow. After leaving school, he moved to London to train at Mountview Theatre School. He returned to Glasgow after training where he joined the 7:84 theater company. Eventually, he went back to live in London where he received critical acclaim for his theater work, notably "Life of Stuff" at the Donmar Warehouse (1993) and "American Buffalo" at the Young Vic (1997). One of his first successful film roles was as Edgar in Angels and Insects (1995) before going on to star in Orphans (1998), The Man with Rain in His Shoes (1998), Lawless Heart (2001) and It's All About Love (2003) . He has also starred in many television series and is known for his roles in Psychos(1999), Kid in the Corner (1999), Loving You (2003) and Frances Tuesday (2004). Douglas has also performed in plays for BBC radio, including the role of Romeo in "Romeo and Juliet (1999), David in "The Long Farewell" (2002), Jack Parlabane in "Bampot Central" (2004) and Richard in "Richard III" (2004). In the summer of 2002, Douglas returned to the London stage where he performed the role of Michael Bakunin in Tom Stoppard's new trilogy of plays, 'The Coast of Utopia', at The National Theatre. During 2004 he continued stage work starring as John Proctor in 'Arthur Miller' 's 'The Crucible' at The Crucible in Sheffield and Thomas Huxley in 'Darwin in Malibu' by Crispin Whittell, at the Hampstead Theatre. In 2005 Douglas made his West End debut at The Lyric, Shaftesbury Avenue playing Biff Loman in the critically acclaimed production of Arthur Miller' 's play 'Death of a Salesman', alongside Brian Dennehy.
Douglas Henshall
Eric Harrison
for Eric Harrison in UNITED: Youth, Courage, Success (2028-)
Suggested by bencasting
Manchester United have reportedly agreed a deal with North American production company Lionsgate for the creation of a drama series based on the history of the club. Here's my take on what it could look like: Series 1: The origins of a club with working-class roots, from Newton Heath’s survival, the birth of Manchester United and the move to old trafford, through the World Wars ars and relegation and financial struggles to stay afloat. Matt Busby and the Busby Babes setting the standard in English football until the shocking tragedy of the Munich air disaster. Series 2: Busby rebuilds a grieving club almost from scratch, culminating in European glory. When he finally retires, United drift through a series of managers, trapped between past expectations and present failures, culminating in a shocking relegation. Series 3: Ron Atkinson restores some success. Alex Ferguson arrives from Aberdeen, imposing discipline and authority. A faltering start nearly costs him his job, but an FA Cup win gives the him a lifeline. Series 4: A young generation emerges, reshaping the club’s future. By the mid-90s, Ferguson’s team dominate England again, building toward one extraordinary night in Barcelona in 1999. Series 5: United are a British football institution, but off the pitch turbulence mounts. Ferguson contemplates retirement, legal battles and boardroom disputes erupt, a racehorse conspiracy causes chaos, and high-profile fallouts shake the squad. The Glazer familys’ leveraged takeover causes mass fan protests. Series 6: United remain a global powerhouse. Ferguson battles rivals Wenger and Mourinho while rebuilding the squad. European glory returns in 2008, City’s rise challenges the football established order, and Ferguson claims a final Premier League title in 2013 before preparing his successor, David Moyes. Series 7: The post-Ferguson era begins.
