Age: 38
male
Rebecca Sugar (born July 9, 1987), is an American animator, director, screenwriter, producer, and songwriter. She is known for creating the Cartoon Network series Steven Universe, which has made her the first woman to independently create a series for the network. Sugar was formerly a writer and storyboard artist on the animated television series Adventure Time, until 2013. Her work on the two series has earned her five Primetime Emmy Award nominations. For her work on Steven Universe, Sugar was nominated for Primetime Emmy Awards for Short-format Animation for the episodes "Lion 3: Straight to Video" in 2015, "The Answer" in 2016, "Mr. Greg" in 2017 and "Jungle Moon" in 2018. In 2017, Steven Universe was nominated for Outstanding Comedy Series at the 28th GLAAD Media Awards, the goal of the awards is to "[recognize] the most inclusive and accurately portrayed representations of the LGBTQ community in film, television, and other platforms" In July 2016, Sugar said at a San Diego Comic-Con panel that the LGBT themes in Steven Universe are in large part based on her own experience as a bisexual woman. In a July 2018 interview on NPR, Sugar said that she created the series's Gems as "non-binary women" in order to express herself, as a non-binary woman, through them.
Rebecca Sugar
Noelle Holiday
for Noelle Holiday in Undertale (The Movie)
Suggested by hurlycurly
Undertale follows a human child who falls into the Underground, a hidden world beneath the Earth where monsters were sealed away after a war with humans long ago. Trapped far from home, the child must journey through strange regions—like the Ruins, Snowdin, Waterfall, and Hotland—while searching for a way back to the surface. Along the way, the child meets a cast of quirky, heartfelt monsters: Toriel, who tries to protect them; Sans and Papyrus, two skeleton brothers with very different vibes; the shy scientist Alphys; the dramatic robot Mettaton; and Undyne, a fierce monster determined to capture the human. Each encounter can be resolved in multiple ways—through violence or through mercy and understanding. The Underground’s fate hinges on the player’s choices. The barrier trapping the monsters can only be broken with the power of human souls, and the monster king Asgore plans to collect them so his people can finally be free. Depending on how the player treats others—sparring enemies, befriending them, or killing them—the story changes drastically. At its core, Undertale is about choice, empathy, and consequences. The game remembers what you do, challenges traditional RPG mechanics, and asks whether “winning” really means defeating your enemies—or learning to understand them instead. And yes, it will judge you. Kindly. Or not. 😅💔
