
Age: 52
male
Edgar Howard Wright (born 18 April 1974) is an English filmmaker. He is known for his fast-paced and kinetic, satirical genre films, which feature extensive utilisation of expressive popular music, Steadicam tracking shots, dolly zooms and a signature editing style that includes transitions, whip pans and wipes. He first made independent short films before making his first feature film, A Fistful of Fingers, in 1995. Wright created and directed the comedy series Asylum in 1996, written with David Walliams. After directing several other television shows, Wright directed the sitcom Spaced (1999–2001), which aired for two series and starred frequent collaborators Simon Pegg and Nick Frost. In 2004, Wright directed the zombie comedy Shaun of the Dead, starring Pegg and Frost, the first film in Wright's Three Flavours Cornetto trilogy. The film was co-written with Pegg—as were the next two entries in the trilogy, the buddy cop film Hot Fuzz (2007) and the science fiction comedy The World's End (2013). In 2010, Wright co-wrote and directed the action comedy film Scott Pilgrim vs. the World, an adaptation of the graphic novel series. Along with Joe Cornish and Steven Moffat, he adapted The Adventures of Tintin (2011) for Steven Spielberg. Wright and Cornish co-wrote the screenplay for the Marvel Cinematic Universe film Ant-Man in 2015, which Wright intended to direct but abandoned, citing creative differences. He has also written and directed the action film Baby Driver (2017), the documentary The Sparks Brothers, and the psychological horror film Last Night in Soho (both 2021).

Peter Parker's world fractures the moment he discovers the truth about his parents' deaths. Caught between the demands of his newfound powers and the weight of unanswered questions, he must navigate a treacherous landscape where every choice carries lethal consequences. MJ pursues dangerous secrets that could destroy him. Gwen stands at the crossroads of loyalty and survival. Harry Osborn—Peter's closest friend—harbors his own devastating legacy, one that threatens to consume them all. In this New York, there are no safe havens. The line between hero and victim blurs with each passing day. Peter's greatest enemy may not wear a mask at all. As darkness closes in, he discovers that the price of power is measured not in strength, but in sacrifice. And some debts can never be repaid.
