Age: 59
male
Song Kang-ho (송강호) (born January 17, 1967) is a South Korean actor. Considered one of the best actors of the 21st century, he is most known for his collaborations with directors Park Chan-wook and Bong Joon-ho. He was part of the cast that won Outstanding Performance by a Cast in a Motion Picture at the 26th Screen Actors Guild Awards for Parasite (2019), was awarded Best Actor at the 75th Cannes Film Festival for his performance in Broker (2022), and has been named Gallup Korea's Film Actor of the Year four times.
Song Kang-ho
Dong Hyun
for Dong Hyun in TOMORROW, AND TOMORROW, AND TOMORROW
Suggested by yesibarnum
In this exhilarating novel, two friends--often in love, but never lovers--come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts. Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.
