Age: 51
male
José Pedro Balmaceda Pascal (Spanish: [xoˈseˈpeðɾo βalmaˈseða pasˈkal]; born April 2, 1975) is a Chilean and American actor. After nearly two decades of taking small roles on stage and television, Pascal had his breakout role as Oberyn Martell in the fourth season of the HBO fantasy series Game of Thrones (2014). He gained further prominence with his portrayal of Javier Peña in the Netflix crime series Narcos (2015–2017). He went on to appear in the films The Great Wall(2016), Kingsman: The Golden Circle (2017), The Equalizer 2 (2018), and Triple Frontier (2019). Pascal's leading roles as Din Djarin in the Disney+ science fiction series The Mandalorian (2019–2023) and Joel Miller in the HBO post-apocalyptic drama series The Last of Us (2023–present) propelled him to international stardom, earning him a reputation for portraying adoptive father figures. For the latter role, he received numerous accolades, including a Screen Actors Guild Award and nominations for a Golden Globe Award and Primetime Emmy Award. He also portrayed parental characters in We Can Be Heroes (2020), Strange Way of Life (2023), and The Wild Robot (2024). Pascal has also starred in the big-budget films Wonder Woman 1984 (2020) and Gladiator II (2024). He plays Reed Richards / Mister Fantastic in the Marvel Cinematic Universe, beginning with The Fantastic Four: First Steps (2025). Active in theatre since 1999, he made his Broadway debut as Edmund in a 2019 adaptation of King Lear. In 2023, Time Magazine named him one of the 100 most influential people in the world. Description above from the Wikipedia article Pedro Pascal, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Pedro Pascal
Bertram Tupra
for Bertram Tupra in Tomás Nevinson (Film Adaptation)
Suggested by thenewongoam24
Retired spy Tomás Nevinson—once an agent for the British Secret Service, now living a quiet life in his hometown, Madrid—is approached by his former handler, Bertram Tupra, with an offer to bring him back in from the cold for one last assignment. The mission: to go undercover again, in a small Spanish town, to find out which of three women who moved there a decade ago is in fact a terrorist trained by the IRA, on the run after masterminding several deadly attacks. Everything about the assignment is shadowy, from exactly who is in charge, to the question of what “justice” Nevinson will need to mete out once he unmasks the terrorist. But, lured by the appeal of being back on the inside, he accepts the job. Nevinson soon becomes intimately involved with each of the three women. How—or whom—to choose? Under increasing pressure, he must choose, and then act . . . Charting a world in which right and wrong, good and evil, are irreparably blurred, Javier Marías takes us on a journey of rare and unforgettable suspense in this, the final novel written before his untimely passing.
