Age: 62
female
Courteney Bass Cox (born June 15, 1964) is an American actress, director, and producer. She gained recognition for her starring role as Monica Geller on the NBC sitcom Friends, which aired from 1994 to 2004. For her performance in the series, she received seven Screen Actors Guild Award nominations, of which she won one. She received further recognition for starring as Gale Weathers in the horror film franchise Scream (1996–present). She also starred as Lauren Miller in the NBC sitcom Family Ties (1987–1989), Lucy Spiller in the FX drama series Dirt (2007–2008), and as Jules Cobb in the ABC/TBS sitcom Cougar Town (2009–2015), the lattermost of which earned her nominations at the Golden Globe Awards and the Critics' Choice Awards. Cox's other films include the action fantasy Masters of the Universe (1987), the comedy Ace Ventura: Pet Detective (1994), the animated comedy Barnyard (2006), the fantasy comedy Bedtime Stories (2008), and the independent drama Mothers and Daughters (2016). She owns the production company Coquette Productions, which was created by Cox and her then-husband David Arquette. She also worked as a director on her sitcom Cougar Town, the television drama film TalhotBlond (2012), and the black comedy drama film Just Before I Go (2014).
Courteney Cox
The Spinner (Maleva)
for The Spinner (Maleva) in Thornwood
Suggested by mr95
She was cursed at birth to sleep for a century. Nobody told the curse she would dream the whole time — or what she would learn there. Princess Aurore, 17 at the time of the curse, sleeps for one hundred years in Thornwood Castle — but the film's radical choice is to follow what happens inside the dream. While the kingdom overgrows with briars and the world changes outside, Aurore's dream-consciousness expands: she encounters the Spinner (the curse's architect, revealed to be a woman of genuine grievance rather than simple malice), she teaches herself the lost arts of her kingdom from the dream's archive of memory, and she falls in love with a version of the prince who is not a savior but a presence she constructs from her own hopes — which makes the waking encounter with the real Prince Léon far more complicated. The film moves between Aurore's dream-world (lush, slightly wrong, timelessly lit) and the waking world (the hundred years shown in fast-forward through the changing seasons visible through the castle windows). When Léon cuts through the briars, he finds not a passive sleeper but a woman who has spent a century becoming extraordinary — and who needs to grieve the world she missed before she can love the one she woke to. Act One — The Spindle Aurore's world before the curse — the film's only fully sunlit sequence. The thirteenth fairy's arrival. The sleep descending. Act Two — The Dream Century One hundred years of Aurore's interior life. The Spinner's presence in the dream as unwilling companion. The library of the kingdom's lost history. The dream-Léon. Act Three — The Waking Léon cutting through the briars. The kiss. Aurore's eyes opening. The grief and the possibility. The gap between the dream and the world.
