
Age: 20
female
Mckenna Grace (born June 25, 2006) is an American actress and singer. Born in Grapevine, Texas, she began acting professionally at age five and relocated to Los Angeles, California, as a child. Her earliest roles included Jasmine Bernstein in the Disney XD sitcom Crash & Bernstein (2012–2014) and Faith Newman in the soap opera The Young and the Restless (2013–2015). After several small roles, she starred as a child prodigy in Gifted (2017), a breakthrough for which she received a nomination for the Critics' Choice Movie Award for Best Young Performer. Grace subsequently appeared in the films I, Tonya (2017), Troop Zero (2019), and Captain Marvel (2019). During this time, she appeared in several horror projects, including The Bad Seed (2018), The Haunting of Hill House (2018), and Annabelle Comes Home (2019). For playing the abused teenager Esther Keyes in The Handmaid's Tale (2021–2022), Grace was nominated for the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series, making her the first child recognized for a guest acting Emmy. She appeared in the supernatural comedy films Ghostbusters: Afterlife (2021) and Ghostbusters: Frozen Empire (2024) as Phoebe Spengler, receiving critical praise and a Critics' Choice Super Award nomination. In 2022, Grace wrote, executive produced, and starred in The Bad Seed Returns, and portrayed Jan Broberg in A Friend of the Family. After signing with Photo Finish Records in 2020, Grace released her debut single, "Haunted House", in 2021, as part of the Ghostbusters: Afterlife soundtrack. She released two extended plays in 2023: Bittersweet 16 and Autumn Leaves, which explored pop rock and folk sounds, respectively. Description above from the Wikipedia article Mckenna Grace, licensed under CC-BY-SA, full list of contributors on Wikipedia.

One spring morning, a stranger arrives in the small southern city of Golden. No one knows where he has come from…or why… His name is Theo. And he asks a lot more questions than he answers. Theo visits the local coffeehouse, where ninety-two pencil portraits hang on the walls, portraits of the people of Golden done by a local artist. He begins purchasing them, one at a time, and putting them back in the hands of their “rightful owners.” With each exchange, a story is told, a friendship born, and a life altered. A story of giving and receiving, of seeing and being seen, Theo of Golden is a beautifully crafted novel about the power of creative generosity, the importance of wonder to a purposeful life, and the invisible threads of kindness that bind us to one another.






