Age: 64
male
Jared Francis Harris (born August 24, 1961) is a British actor who has appeared in film, television, and theater. He is the son of the late Irish actor Richard Harris and the Welsh actress Elizabeth Rees-Williams. Harris was born in Hammersmith, London, in 1961. He studied drama and literature at Duke University in North Carolina, and then went on to train at the Royal Central School of Speech and Drama in London. Harris made his film debut in 1989 with a small role in the film The Rachel Papers. He went on to appear in a number of films, including The Last of the Mohicans (1992), Natural Born Killers (1994), Smoke (1995), Happiness (1998), and How to Kill Your Neighbor's Dog (2000). In 2007, Harris began a recurring role as Lane Pryce in the 2007 AMC television series Mad Men and was received a Primetime Emmy Award for Outstanding Supporting Actor for his performance. In 2019, he won the British Academy Television Award for Best Actor for his performance as Valery Legasov in the HBO miniseries Chernobyl. Harris has also had notable roles in television series such as Fringe (2008), The Crown (2016), The Expanse (2015) and Foundation (2021). On stage, Harris has appeared in productions of The Crucible, The Cherry Orchard, and The Homecoming. He has also directed several stage productions, including The Glass Menagerie and The Birthday Party.
'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white' The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
