Age: 55
female
Jennifer Lynn Connelly (born December 12, 1970) is an American actress. She began her career as a child model before making her acting debut in the 1984 crime film Once Upon a Time in America. After having worked as a model for several years, she began to concentrate on acting, starring in a variety of films including the horror film Phenomena (1985), the musical fantasy film Labyrinth (1986), the romantic comedy Career Opportunities (1991), and the period superhero film The Rocketeer (1991). She received praise for her performance in the science fiction film Dark City (1998) and playing a drug addict in Darren Aronofsky's drama film Requiem for a Dream (2000). Connelly was named Amnesty International Ambassador for Human Rights Education in 2005. She has been the face of Balenciaga and Louis Vuitton fashion advertisements, as well as for Revlon cosmetics. In 2012, she was named the first global face of the Shiseido Company. Magazines, including Time, Vanity Fair, and Esquire, as well as the Los Angeles Times newspaper, have included her on their lists of the world's most beautiful women. Description above from the Wikipedia article Jennifer Connelly, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jennifer Connelly
Batya
for Batya in The Wolf and the Woodsman
Suggested by opalescentuniverses
In her forest-veiled pagan village, Évike is the only woman without power, making her an outcast clearly abandoned by the gods. The villagers blame her corrupted bloodline—her father was a Yehuli man, one of the much-loathed servants of the fanatical king. When soldiers arrive from the Holy Order of Woodsmen to claim a pagan girl for the king’s blood sacrifice, Évike is betrayed by her fellow villagers and surrendered. But when monsters attack the Woodsmen and their captive en route, slaughtering everyone but Évike and the cold, one-eyed captain, they have no choice but to rely on each other. Except he’s no ordinary Woodsman—he’s the disgraced prince, Gáspár Bárány, whose father needs pagan magic to consolidate his power. Gáspár fears that his cruelly zealous brother plans to seize the throne and instigate a violent reign that would damn the pagans and the Yehuli alike. As the son of a reviled foreign queen, Gáspár understands what it’s like to be an outcast, and he and Évike make a tenuous pact to stop his brother. As their mission takes them from the bitter northern tundra to the smog-choked capital, their mutual loathing slowly turns to affection, bound by a shared history of alienation and oppression. However, trust can easily turn to betrayal, and as Évike reconnects with her estranged father and discovers her own hidden magic, she and Gáspár need to decide whose side they’re on, and what they’re willing to give up for a nation that never cared for them at all.
