Died at 95
male
Richard St John Francis Harris (October 1, 1930 – October 25, 2002) was an Irish actor and singer. He appeared on stage and in many films, notably as Corrado Zeller in Michelangelo Antonioni's Red Desert, Frank Machin in This Sporting Life, for which he was nominated for the Academy Award for Best Actor, and as King Arthur in the 1967 film Camelot, as well as the 1981 revival of the stage musical. He played an English aristocrat captured by the Sioux in A Man Called Horse (1970), Oliver Cromwell in Cromwell (1970), an embattled Irish farmer in Jim Sheridan's The Field (which earned him a second Academy Award nomination for Best Actor), English Bob in Clint Eastwood's revisionist Western Unforgiven (1992), Roman emperor Marcus Aurelius in Gladiator (2000), The Count of Monte Cristo (2002) as Abbé Faria, and Albus Dumbledore in the first two Harry Potter films: Harry Potter and the Philosopher's Stone (2001) and Harry Potter and the Chamber of Secrets (2002), the latter of which was his final film role. Harris had a number-one singing hit in Australia, Jamaica and Canada, and a top-ten hit in the United Kingdom, Ireland, and the United States with his 1968 recording of Jimmy Webb's song "MacArthur Park". In 2020, he was listed at number 3 on The Irish Times's list of Ireland's greatest film actors.
In her small early nineteenth century Welsh town, there is no one quite like Morgana, who has not spoken since she was a young girl. Her silence is a mystery, as well as her magic. Concerned for her safety, her mother is anxious to see her married, and Cai Jenkins, a widower from the far hills, seems the best choice. After her wedding, Morgana is heartbroken at leaving her mother, and wary of this man, whom she does not know, and who will take her away to begin a new life. But she soon falls in love with Cai’s farm and the wild mountains that surround it. Cai works to understand the beautiful, half-tamed creature he has chosen for a bride, and slowly, he begins to win Morgana’s affections. It’s not long, however, before her strangeness begins to be remarked upon in her new village. A dark force is at work there—a person who will stop at nothing to turn the townspeople against Morgana. Forced to defend her home, her man, and herself, Morgana must learn to harness her power, or she will lose everything.
