Age: 37
female
Elizabeth Chase Olsen (born February 16, 1989) is an American actress. She gained worldwide recognition for her portrayal of Wanda Maximoff / The Scarlet Witch in the Marvel Cinematic Universe since 2014, with her performance in the miniseries WandaVision (2021) earning her nominations for a Primetime Emmy Award, a Golden Globe Award, and a Critics’ Choice Television Award. Born in Sherman Oaks, California, Olsen began acting at age four alongside her sisters Mary-Kate and Ashley Olsen. She had her debut film role in the thriller Martha Marcy May Marlene in 2011, for which she received praise. Olsen received a BAFTA Rising Star Award nomination and graduated from New York University two years later. Outside of her work with Marvel, Olsen starred in the monster film Godzilla (2014), the mystery film Wind River (2017), the dramas Ingrid Goes West (2017) and His Three Daughters (2024), the science fiction thriller The Assessment (2025), and the romantic comedy Eternity (2025). She also starred as a widow in the drama series Sorry for Your Loss (2018–2019) and as Candy Montgomery in the miniseries Love & Death (2023), the latter earning her another Golden Globe Award nomination.
A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew. It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan—which makes it that much more surprising when the two women can’t stop confiding in each other. In turns absurdly funny and devastatingly tender, Alison Espach’s The Wedding People is ultimately an incredibly nuanced and resonant look at the winding paths we can take to places we never imagined—and the chance encounters it sometimes takes to reroute us.
