Age: 29
female
Kathryn Love Newton (born February 8, 1997) is an American actress. She is known for her starring roles as Louise Brooks in the CBS comedy series Gary Unmarried (2008–2010), Abigail Carlson in the HBO mystery drama series Big Little Lies (2017–2019), and Allie Pressman in the Netflix teen drama series The Society (2019). She is also known for portraying the older versions of Claire Novak in The CW dark fantasy series Supernatural (2014–2018) and Joanie Clark in the AMC period drama series Halt and Catch Fire (2016–2017). Newton has appeared in various films, including Bad Teacher (2011), Three Billboards Outside Ebbing, Missouri (2017), Blockers (2018), Pokémon Detective Pikachu (2019), Freaky (2020), The Map of Tiny Perfect Things (2021), Ant-Man and the Wasp: Quantumania (2023), and Abigail (2024). For her role in the horror film Paranormal Activity 4 (2012), Newton received the Young Artist Award for Best Leading Young Actress in a Feature Film. Description above from the Wikipedia article Kathryn Newton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Kathryn Newton
Lila Rossi-Winthrop
for Lila Rossi-Winthrop in The Wedding People
Suggested by dshay
A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew. It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan—which makes it that much more surprising when the two women can’t stop confiding in each other. In turns absurdly funny and devastatingly tender, Alison Espach’s The Wedding People is ultimately an incredibly nuanced and resonant look at the winding paths we can take to places we never imagined—and the chance encounters it sometimes takes to reroute us.
