
Age: 37
male
Daniel Kaluuya (/kəˈluːjə/; born 24 February 1989) is a British actor and filmmaker. His work encompasses both screen and stage, and his accolades include an Academy Award, two British Academy Film Awards, and a Golden Globe Award. In 2021, he was named among the 100 most influential people in the world by Time magazine. Kaluuya began his acting career as a teenager in improvisational theatre. He played Posh Kenneth in the first two seasons of the television series Skins (2007–2009); he also co-wrote some of the episodes. Kaluuya drew praise for his leading performance in Sucker Punch at the Royal Court Theatre in 2010. He went on to gain attention for his television roles in Psychoville (2009–2011), The Fades (2011), and the Black Mirror episode "Fifteen Million Merits" (2011). He also had supporting roles in the films Johnny English Reborn (2011), Kick-Ass 2 (2013), and Sicario (2015). In 2017, Kaluuya had his breakthrough starring in Jordan Peele's horror film Get Out, which garnered him a nomination for the Academy Award for Best Actor. This was followed by roles in Ryan Coogler's superhero film Black Panther (2018), Steve McQueen's crime drama Widows (2018), Peele's horror film Nope (2022), and Sony Pictures Animation's animated superhero film Spider-Man: Across the Spider-Verse (2023). For his portrayal of Black Panther Party leader Fred Hampton in the biopic Judas and the Black Messiah (2021), he won the BAFTA and Academy Award for Best Supporting Actor. He has since co-directed the drama The Kitchen (2023). Description above from the Wikipedia article Daniel Kaluuya, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect?






