Age: 39
male
Michael Bakari Jordan (/bɑːˈkɑːri/ bah-KAR-ee; born February 9, 1987) is an American actor, producer, and director. His accolades include an Academy Award, three Actor Awards, and a Producers Guild Award, in addition to nominations for a British Academy Film Award, a Golden Globe Award and two Emmy Awards. Jordan was named one of the 100 most influential people in the world by Time in 2020 and 2023, People's Sexiest Man Alive in 2020, and The New York Times ranked him 15th on its list of the 25 greatest actors of the 21st century. Jordan initially broke out in television, playing Wallace in the first season of the HBO crime drama series The Wire (2002). He starred in the ABC soap opera All My Children (2003–2006) and the NBC sports drama series Friday Night Lights (2009–2011). He later starred in and produced the HBO television film Fahrenheit 451 (2018), for which he was nominated for the Primetime Emmy Award for Outstanding Television Movie. Jordan's film breakthrough came as Oscar Grant in Ryan Coogler's biopic Fruitvale Station (2013), for which his performance received critical praise. He earned further acclaim for his performances in Coogler's subsequent films, including Creed (2015), Black Panther (2018), and Sinners (2025); the latter earned him the Academy Award for Best Actor. Jordan reprised his role of Donnie Creed in Creed II (2018) and Creed III (2023), the latter of which also marked his directorial debut. His other films include Chronicle (2012), That Awkward Moment (2014), Fantastic Four (2015), and Just Mercy (2019). Aside from filmmaking, Jordan is also a co-owner of Premier League club AFC Bournemouth. Description above from the Wikipedia article Michael B. Jordan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect?
