Age: 66
male
James Todd Spader (/ˈspeɪdər/ SPAY-dər; born February 7, 1960) is an American actor. He is known for often portraying eccentric and morally ambiguous characters. He began his career in critically acclaimed independent films before transitioning into television, where he has received acclaim and many awards, including three Primetime Emmy Awards and nominations for three Golden Globe Awards, and ten Screen Actors Guild Awards. Spader began acting in youth-oriented films such as Tuff Turf, The New Kids (both 1985), Pretty in Pink (1986), and Mannequin (1987). His breakthrough role came with the Steven Soderbergh drama Sex, Lies, and Videotape (1989), for which he received the Cannes Film Festival Award for Best Actor. He then starred in films such as White Palace (1990), True Colors (1991), Stargate (1994), 2 Days in the Valley (1996), and Secretary (2002). Spader took supporting roles in Bob Roberts (1992), Wolf (1994), Lincoln (2012), and The Homesman (2014). He also played the role of Ultron in the Marvel Cinematic Universe film Avengers: Age of Ultron (2015). His television roles include the attorney Alan Shore in the last season of The Practice (2003–2004) and its spin-off Boston Legal (2004–2008), which earned him three Primetime Emmy Awards for Outstanding Lead Actor in a Drama Series. He portrayed Robert California in the sitcom The Office (2011–2012). He then starred as Raymond Reddington in the NBC crime thriller series The Blacklist (2013–2023), for which he received two Golden Globe Award nominations for Best Actor – Television Series Drama. Description above from the Wikipedia article James Spader, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From her cell in a mysterious convent, cloistered away from the climate catastrope that has plunge the world into chaos, a woman writes a story of her life and whatever she can find-discarded ink dirt and even her own blood. A member of the sacred sisterhood, deemed and unworthy, she dreams of ascending to the ranks of enlightened at the center of the convent and of pleasing the forbidding superior sister. But wanna strange, newcomer joins the ranks of the unworthy, the narrator is forced to consider her long buried pass. As she grows closer to the newcomer, she is increasingly haunted by questions that she can no longer ignore: How did she get to the sacred sisterhood? Why can't she remember her life before? And what really happens when a woman is why can't she remember her life before? And what really happens when a woman chosen to be enlightened?
