Age: 55
female
Sofia Carmina Coppola (/ˈkoʊpələ/ KOH-pə-lə, Italian: [soˈfiːa ˈkɔppola]; born May 14, 1971) is an American filmmaker and former actress. She has won an Academy Award, two Golden Globe Awards, a Golden Lion, and a Cannes Film Festival Award. She was also nominated for three BAFTA Awards, as well as a Primetime Emmy Award. Her parents are filmmakers Eleanor and Francis Ford Coppola, and she made her acting debut as an infant in her father's acclaimed crime drama The Godfather (1972). Coppola later appeared in several music videos and had a supporting role in the fantasy comedy film Peggy Sue Got Married (1986). She then portrayed Mary Corleone, the daughter of Michael Corleone, in the sequel The Godfather Part III (1990). Coppola transitioned into filmmaking with her feature-length directorial debut in the coming-of-age drama The Virgin Suicides (1999). It was the first of her collaborations with actress Kirsten Dunst. Her films often deal with themes of loneliness, wealth, privilege, isolation, youth, femininity, and adolescence in America. Coppola received the Academy Award for Best Original Screenplay for the comedy-drama Lost in Translation (2003), and was nominated for the Academy Award for Best Director, becoming the third woman to do so. She has since directed the historical drama Marie Antoinette (2006), the family drama Somewhere (2010), the satirical crime drama The Bling Ring (2013), the southern gothic thriller The Beguiled (2017), the comedy On the Rocks (2020), and the biographical drama Priscilla (2023). In 2015, Coppola released the Netflix Christmas musical comedy special A Very Murray Christmas, which earned her a nomination for the Primetime Emmy Award for Outstanding Television Movie. Description above from the Wikipedia article Sofia Coppola, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jocelyn Banks, a gifted ballerina who has long felt like an outsider, leaves her successful career in New York to start a new life in London with her boyfriend, Jordan. Her plans unravel when her estranged mother dies, forcing Jocelyn to care for her grandmother and find a way back into professional ballet to survive. She lands a position with the Royal National Ballet, where dancers rely on wealthy sponsors to fund their careers. Desperate, Jocelyn enters a complicated arrangement with the alluring but manipulative Alastair Cavendish. As she is pulled deeper into a world of privilege and power, her ambition becomes entangled with obsession, leading her down a dangerous path of desire, control, and self-destruction.
