Age: 50
female
Judith Therese Evans (born July 20, 1975), known professionally as Judy Greer, is an American actress. She is primarily known as a character actress who has appeared in various films. She rose to prominence for her supporting roles in the films Jawbreaker (1999), What Women Want (2000), 13 Going on 30 (2004), Elizabethtown (2005), 27 Dresses (2008), and Love & Other Drugs (2010). Greer expanded into multiple genres with roles in films, such as The Wedding Planner (2001), Adaptation (2002), The Village (2004), The Descendants (2011), Jeff, Who Lives at Home (2011), Carrie (2013), Men, Women & Children (2014), Grandma (2015), Lemon (2017), Where'd You Go, Bernadette (2019), Uncle Frank (2020), and Hollywood Stargirl (2022). She appeared in numerous blockbusters, such as Dawn of the Planet of the Apes (2014) and its sequel War for the Planet of the Apes (2017), Jurassic World (2015), Halloween (2018) and its sequel Halloween Kills (2021), and the Marvel Cinematic Universe films Ant-Man (2015), Ant-Man and the Wasp (2018), and Guardians of the Galaxy Vol. 3 (2023). She made her directorial debut with the comedy-drama film A Happening of Monumental Proportions (2017). Greer is best known on television for her starring voice role as Cheryl Tunt in the FXX animated comedy series Archer (2009–2023) and Lina Bowman in the FX sitcom Married (2014–2015). She also appeared in the comedy series The Big Bang Theory (2007–2019), Arrested Development (2003–2006, 2013–2019), Two and a Half Men (2003–2015), It's Always Sunny in Philadelphia (2007–2011), Kidding (2018–2020), Let's Go Luna! (2018–2022), and Reboot (2022). Description above from the Wikipedia article Judy Greer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Judy Greer
Harriet Throsby
for Harriet Throsby in The Twist of a Knife
Suggested by goldh00pz
“I’m sorry but the answer’s no.” Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he’s splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London’s West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she’s out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby’s murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?
