Age: 55
male
John Peter Sarsgaard (born March 7, 1971) is an American actor. His first feature role was in Dead Man Walking in 1995. He then appeared in the 1998 independent films Another Day in Paradise and Desert Blue. That same year, Sarsgaard received a substantial role in The Man in the Iron Mask (1998), playing Raoul, the ill-fated son of Athos. Sarsgaard later achieved critical recognition when he was cast in Boys Don't Cry (1999) as John Lotter. He landed his first leading role in the 2001 film The Center of the World. The following year, he played supporting roles in Empire, The Salton Sea, and K-19: The Widowmaker. For his portrayal of Charles Lane in Shattered Glass, Sarsgaard won the National Society of Film Critics Award for Best Supporting Actor and was nominated for the 2004 Golden Globe Award for Best Supporting Actor. Sarsgaard has appeared in an eclectic range of films, including the 2004 comedy-drama Garden State, the biographical film Kinsey (2004), the drama The Dying Gaul (2005), and big-budget films such as Flightplan (2005), Jarhead (2005), The Skeleton Key (2005), Orphan (2009), An Education (2009), Knight and Day (2010), Green Lantern (2011), Lovelace (2013), Kelly Reichardt's Night Moves (2013), Blue Jasmine (2013), Black Mass (2015), and The Magnificent Seven (2016). Sarsgaard also appeared in the American TV series The Killing (2013) as a man on death row perhaps wrongfully convicted for the brutal murder of his wife—a performance which he says included "some of the best acting I have ever done in my life." In 2021, he had a recurring role on the Hulu miniseries Dopesick. Sarsgaard has appeared in Off-Broadway productions including Kingdom of Earth, Laura Dennis, Burn This, and Uncle Vanya. In September 2008, he made his Broadway debut as Boris Alexeyevich Trigorin in The Seagull. He is married to actress Maggie Gyllenhaal.
Peter Sarsgaard
Arthur Throsby
for Arthur Throsby in The Twist of a Knife
Suggested by goldh00pz
“I’m sorry but the answer’s no.” Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he’s splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London’s West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she’s out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby’s murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?
