Age: 33
male
William Jack Poulter (born 28 January 1993) is an English actor. He first gained recognition in School of Comedy (2009) and then for his role as Eustace Scrubb in the adventure film The Chronicles of Narnia: The Voyage of the Dawn Treader (2010) and his starring role in the comedy film We're the Millers (2013). He won the BAFTA Rising Star Award in 2014. Poulter starred in the first and third films of the dystopian science fiction trilogy The Maze Runner (2014–2018), the period film The Revenant (2015), the drama film Detroit (2017), the interactive film Black Mirror: Bandersnatch (2018), and the horror film Midsommar (2019). In 2021, he was featured in the Hulu miniseries Dopesick, for which he received a Primetime Emmy Award nomination for Outstanding Supporting Actor. In 2023, he joined the Marvel Cinematic Universe as Adam Warlock in Guardians of the Galaxy Vol. 3. He had a recurring role in FX's series The Bear, which earned him another Emmy Award nomination. Description above from the Wikipedia article Will Poulter, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In a hyper-connected future where reality is streamed and curated by AI, Truman “Tru” Ellis lives an idyllic life in the seemingly perfect city of New Arcadia—unaware that every moment of his existence is being broadcast to billions. Raised since birth inside an immersive, AI-controlled simulation called EdenStream, Tru is the only real human in a world populated by synthetic actors and subscriber-controlled avatars. But when glitches in the system begin to disrupt his carefully programmed routine, Truman starts questioning the world around him, triggering a crisis that could upend the most popular entertainment property on Earth. As Truman seeks the truth, the AI controlling the show—CHRYSALIS—adjusts the narrative in real time to keep him compliant, while viewers across the globe debate whether to help him escape or keep watching. Blending psychological sci-fi with sharp social commentary, The Truman Show explores the ethics of digital entertainment, algorithmic control, and the human cost of living in a world designed for clicks.
