Age: 54
male
Walton Sanders Goggins Jr. (born November 10, 1971) is an American actor. He has starred in various television series, including The Shield (2002–08), Justified (2010–2015), Vice Principals (2016–17), The Righteous Gemstones (2019–25), Invincible (2021–present), Fallout (2024–present), and The White Lotus (2025). He was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series for Justified and The White Lotus, and for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series for Fallout. Goggins starred in and co-produced the Academy Award–winning short film The Accountant (2001). He has also featured in feature films, such as Predators (2010), Lincoln, Django Unchained (both 2012), The Hateful Eight (2015), Maze Runner: The Death Cure, Tomb Raider, and Ant-Man and the Wasp (all 2018).
Walton Goggins
The Cook
for The Cook in The Texas Chainsaw Massacre (2026 Reboot)
Suggested by kaueoliveira
The year is 2026. A group of young, tech-savvy urban explorers—vlogging their journey to document abandoned American towns—stumble upon the desolate, forgotten rural roads of deep Texas. Their goal: to expose the grim beauty of Americana decay. Their arrogance and disconnect from the brutal realities of the forgotten countryside put them directly on the collision course with the remnants of the infamous Sawyer family, who have spent decades cultivating their horrific practices in utter isolation. This isn't just a reboot; it's a commentary on the collision of modern spectacle and primeval horror. The narrative strips back the supernatural elements of later sequels, returning to the gritty, grounded terror of the original: a story of a completely insane, profoundly poor, and desperate family of cannibalistic butchers. The climax is an agonizing, extended chase and confrontation, pushing the line between survival and madness. Leatherface is presented not as a cartoon villain, but as a silent, hulking creature of need and circumstance—a brutal enforcer driven by his family's grotesque traditions. The film aims to be a visceral, unforgiving experience that updates the 1970s nihilism for a modern audience, emphasizing the sheer, inescapable terror of being completely isolated from civilization and sanity.
