Age: 30
female
Anya-Josephine Marie Taylor-Joy (/ˈænjə/; born 16 April 1996) is an American actress and voice actress. Born in Miami and raised in Buenos Aires and London, she left school at 16 to pursue an acting career. After several minor television roles, her breakthrough came with a leading role in the horror film The Witch (2015). Her career progressed with roles in the horror film Split (2016) and its sequel Glass (2019), the black comedy film Thoroughbreds (2017), and playing Emma Woodhouse in the period drama Emma (2020). Taylor-Joy featured in the television crime drama series Peaky Blinders (2019–2022) and earned international recognition for playing Beth Harmon in the period drama miniseries The Queen's Gambit (2020), winning a Golden Globe Award and a SAG Award, in addition to a nomination for a Primetime Emmy Award. She then starred in the horror film Last Night in Soho (2021), the action films The Northman (2022) and The Gorge (2025), and the black comedy The Menu (2022). She also voiced Princess Peach in the animated film The Super Mario Bros. Movie (2023). She starred as Imperator Furiosa in the apocalyptic film Furiosa: A Mad Max Saga (2024). Description above from the Wikipedia article Anya Taylor-Joy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Anya Taylor-Joy
Sally
for Sally in The Texas Chainsaw Massacre (2026 Reboot)
Suggested by kaueoliveira
The year is 2026. A group of young, tech-savvy urban explorers—vlogging their journey to document abandoned American towns—stumble upon the desolate, forgotten rural roads of deep Texas. Their goal: to expose the grim beauty of Americana decay. Their arrogance and disconnect from the brutal realities of the forgotten countryside put them directly on the collision course with the remnants of the infamous Sawyer family, who have spent decades cultivating their horrific practices in utter isolation. This isn't just a reboot; it's a commentary on the collision of modern spectacle and primeval horror. The narrative strips back the supernatural elements of later sequels, returning to the gritty, grounded terror of the original: a story of a completely insane, profoundly poor, and desperate family of cannibalistic butchers. The climax is an agonizing, extended chase and confrontation, pushing the line between survival and madness. Leatherface is presented not as a cartoon villain, but as a silent, hulking creature of need and circumstance—a brutal enforcer driven by his family's grotesque traditions. The film aims to be a visceral, unforgiving experience that updates the 1970s nihilism for a modern audience, emphasizing the sheer, inescapable terror of being completely isolated from civilization and sanity.
