Age: 34
male
Austin Robert Butler (born August 17, 1991) is an American actor. Butler began his career on television, first in roles on Disney Channel and Nickelodeon, most notably on Zoey 101 (2007–2008), and later on teen dramas, including recurring parts on The CW's Life Unexpected (2010–2011) and Switched at Birth (2011–2012). He gained recognition for starring in The Carrie Diaries (2013–2014) and The Shannara Chronicles (2016–2017). Butler made his Broadway debut in the 2018 revival of The Iceman Cometh and portrayed Tex Watson in Quentin Tarantino's film Once Upon a Time in Hollywood (2019). Butler gained wider prominence for his portrayal of Elvis Presley in Baz Luhrmann's Elvis (2022), for which he won the Golden Globe and BAFTA Award and was also nominated for the Academy Award for Best Actor. Time magazine named him one of the 100 most influential people in the world in 2023. He has since starred as Gale Cleven in the war drama miniseries Masters of the Air (2024) and Feyd-Rautha Harkonnen in the science fiction film Dune: Part Two (2024). Description above from the Wikipedia article Austin Butler, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Austin Butler
Ben
for Ben in The Texas Chainsaw Massacre (2026 Reboot)
Suggested by kaueoliveira
The year is 2026. A group of young, tech-savvy urban explorers—vlogging their journey to document abandoned American towns—stumble upon the desolate, forgotten rural roads of deep Texas. Their goal: to expose the grim beauty of Americana decay. Their arrogance and disconnect from the brutal realities of the forgotten countryside put them directly on the collision course with the remnants of the infamous Sawyer family, who have spent decades cultivating their horrific practices in utter isolation. This isn't just a reboot; it's a commentary on the collision of modern spectacle and primeval horror. The narrative strips back the supernatural elements of later sequels, returning to the gritty, grounded terror of the original: a story of a completely insane, profoundly poor, and desperate family of cannibalistic butchers. The climax is an agonizing, extended chase and confrontation, pushing the line between survival and madness. Leatherface is presented not as a cartoon villain, but as a silent, hulking creature of need and circumstance—a brutal enforcer driven by his family's grotesque traditions. The film aims to be a visceral, unforgiving experience that updates the 1970s nihilism for a modern audience, emphasizing the sheer, inescapable terror of being completely isolated from civilization and sanity.
