Age: 59
female
Michelle May Romney Marsham Antonia Gomez (born 23 November 1966) is a Scottish actress. She gained recognition for her roles in the comedy series The Book Group (2002–2003), Green Wing (2004–2007), and Bad Education (2012–2013). She went on to appear as Missy in the long-running British science fiction series Doctor Who (2014–2017), for which she was nominated for the BAFTA TV Award for Best Supporting Actress. Gomez received further recognition and acclaim for her roles as Lilith / Madam Satan and Mary Wardwell in the Netflix supernatural horror series Chilling Adventures of Sabrina (2018–2020) and as Miranda Croft in the HBO Max dark comedy thriller series The Flight Attendant (2020). Description above from the Wikipedia article Michelle Gomez, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants—Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language. Though The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations—from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.
