Age: 42
female
Felicity Rose Hadley Jones (born 17 October 1983) is an English actress. She began her professional acting career as a child, appearing in The Treasure Seekers (1996) at age 12. She went on to play Ethel Hallow for one series of the television series The Worst Witch (1998). In 2008, she appeared in the Donmar Warehouse production of The Chalk Garden. Since 2006, Jones has appeared in the films Northanger Abbey (2007), Brideshead Revisited (2008), Chéri (2009), The Tempest (2010), The Amazing Spider-Man 2(2014), and True Story (2015). She received praise for her performances in the romantic drama Like Crazy (2011) and the biopic The Theory of Everything (2014). Her portrayal of Jane Hawking in the latter earned her nominations for the BAFTA and the Academy Award for Best Actress. In 2016, Jones starred in the thriller Inferno, the fantasy drama A Monster Calls, and the space opera Rogue One: A Star Wars Story as Jyn Erso. She has since portrayed Ruth Bader Ginsburg in the biopic On the Basis of Sex (2018). She has starred in the streaming films The Aeronauts (2019), The Midnight Sky (2020) and The Last Letter from Your Lover (2021), as well as the period drama The Brutalist (2024), which earned her a nomination for the Academy Award for Best Supporting Actress. Description above from the Wikipedia article Felicity Jones, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants—Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language. Though The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations—from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.
