Age: 58
male
Rufus Frederik Sewell (born 29 October 1967) is an English actor. In film, he has appeared in The Woodlanders, Dangerous Beauty, Dark City, A Knight's Tale, The Illusionist, Tristan and Isolde, and Martha, Meet Frank, Daniel and Laurence. On television, he starred in the 2010 mini-series The Pillars of the Earth. Earlier he played the hero, Will Ladislaw, in the BBC adaptation of George Eliot's Middlemarch. In 2003, he appeared in the lead role in Charles II: The Power and The Passion. He starred in the CBS drama Eleventh Hour which was cancelled in April 2009. On stage, he originated the role of Septimus Hodge in Tom Stoppard's Arcadia and the role of Jan in Stoppard's Rock 'n' Roll, which earned him an Olivier Award and a Tony Award nomination for the latter performance. Description above from the Wikipedia article Rufus Sewell, licensed under CC-BY-SA, full list of contributors on Wikipedia
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants—Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language. Though The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations—from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.
