Age: 43
male
Matthew Robert Smith (born 28 October 1982) is an English actor. He is known for playing the Eleventh Doctor in the BBC science fiction television series Doctor Who (2010–2013), Prince Philip in Netflix's historical series The Crown (2016–2017)—for which he received a Primetime Emmy Award nomination—and Daemon Targaryen in HBO's fantasy drama series House of the Dragon(2022–present). Smith initially aspired to be a professional footballer, but spondylolysis forced him out of the sport. After joining the National Youth Theatre and studying drama and creative writing at the University of East Anglia, he began his acting career in 2003, performing in plays such as Murder in the Cathedral, Fresh Kills, The History Boys, and On the Shore of the Wide World in London theatres. Extending his repertoire into West End theatre, he has since performed in the stage adaptation of Swimming with Sharks with Christian Slater, followed a year later by a critically acclaimed performance in That Face. Smith's first television role was in 2006 as Jim Taylor in the BBC adaptations of Philip Pullman's The Ruby in the Smoke and The Shadow in the North. His first significant television role came as Danny in the 2007 BBC series Party Animals. In film, he has played a dual role in the science fiction film Womb (2010), the physical forms of Skynet in the cyberpunk action film Terminator Genisys (2015), a 1960s pimp in the psychological horror film Last Night in Soho (2021) and Milo Morbius in the superhero film Morbius (2022). Description above from the Wikipedia article Matt Smith, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants—Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language. Though The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations—from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.
