Age: 58
female
Kristen Johnston studied acting at the Atlantic Theater Company Acting School in New York City. She won two Emmys for her role on 3rd Rock from the Sun (1996). She has appeared on many other television shows, including Ugly Betty (2006), ER (1994), Bored to Death (2009) and, perhaps most memorably, as the party girl whose famous final words were "I'm so bored I could die" on Sex and the City (1998). She's currently, on television, on TV Land's hit series, The Exes (2011), which is now in its fourth season. Just a few of Johnston's many stage credits are "So Help Me God!" (Drama desk nomination), "The Women", "Aunt Dan & Lemon", "Love Song" on the West End, as well as starring in three "Shakespeare in Central Park" productions, "Much Ado About Nothing", "12th Night", and "The Skin of our Teeth". She is a long-time member of The Atlantic Theater Company, and her roles over the years have included "The Lights" (Drama Desk Nomination) and "Scarcity". Kristen's film credits include Austin Powers: The Spy Who Shagged Me (1999), the 2nd Austin Powers film (as "Ivana Humpalot"), Finding Bliss (2009), Bad Parents (2012), Bride Wars (2009), L!fe Happens (2011), Vamps (2012), Strangers with Candy (2005), and the upcoming independent film, Lovesick (2014), with Matt LeBlanc. Johnston teaches acting at The Atlantic Theater Company's Acting School at NYU. She founded an organization called SLAM, whose goal is the creation of a desperately needed sober high school in New York City. Johnston's first book was a New York Times Bestselling memoir, entitled "GUTS: the endless follies and tiny triumphs of a giant disaster".
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations―a search for the truth that threatens to consume him....
