Age: 30
male
Paul Colm Michael Mescal (/ˈmɛskəl/ MESS-kəl; born 2 February 1996) is an Irish actor. Born in Maynooth, he studied acting at The Lir Academy and then performed in plays in Dublin theatres. He rose to fame with his role in the miniseries Normal People (2020), earning a BAFTA TV Award and a nomination for a Primetime Emmy Award. Mescal progressed to film acting with roles in the psychological dramas The Lost Daughter (2021) and God's Creatures (2022). His starring roles as a troubled father in Aftersun (2022) and a mysterious neighbour in All of Us Strangers (2023) earned him nominations for BAFTA Film Awards in addition to a nomination for an Academy Award for the former. He received a Laurence Olivier Award for his portrayal of Stanley Kowalski in a 2022 revival of the play A Streetcar Named Desire. Mescal expanded to big-budget films with a leading role in the historical action film Gladiator II (2024).
Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.
