
Age: 42
female
Lena Waithe (/weɪθ/; born May 17, 1984) is an American actress, producer, and screenwriter. She is the creator of the Showtime drama series The Chi (2018–present) and the BET comedy series Boomerang (2019–20) and Twenties (2020–21). She also wrote and produced the crime film Queen & Slim (2019) and is the executive producer of the horror anthology series Them (2021–present). Waithe gained recognition for her role in the Netflix comedy-drama series Master of None (2015–2021) and became the first African-American woman to win the Primetime Emmy Award for Outstanding Writing for a Comedy Series in 2017 for writing the show's "Thanksgiving" episode, which was loosely based on her personal experience of coming out to her mother. She has also appeared in Steven Spielberg's 2018 adventure film Ready Player One and the HBO series Westworld. In 2023, she was nominated for Best Play at the 76th Tony Awards, her production work on the sketch-comedy play Ain't No Mo'. Waithe was named one of Time magazine's 100 Most Influential People of 2018 and was included on Fast Company's Queer 50 list in 2021 and 2022. Description above from the Wikipedia article Lena Waithe, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.




