Age: 42
male
Joseph Francis Mazzello (born September 21, 1983), sometimes credited as Joe Mazzello, is an American actor, director, and screenwriter. He is best known for his roles as Tim Murphy in Jurassic Park (1993), Eugene Sledge in the HBO miniseries The Pacific (2010), Dustin Moskovitz in The Social Network (2010) and Queen bass player John Deacon in the biopic Bohemian Rhapsody (2018). His first film appearance was a small role in 1990 film Presumed Innocent. He then went on to appear in Radio Flyer, Jersey Girl and the TV film Desperate Choices: To Save My Child in 1992. In 1993, he gained further recognition after starring in Steven Spielberg's Jurassic Park as Tim Murphy and in Richard Attenborough's Shadowlands. He later appeared in 1994's The River Wild. In 1995, he had roles in The Cure and Three Wishes. His first film role in 2001 was in Wooly Boys. In 2002, he made his television debut on Providence. He then appeared on CBS' hit shows CSI: Crime Scene Investigation and Without a Trace. Afterwards, he appeared in Raising Helen (2004), The Hollow (2004), The Sensation of Sight (2006), and the short film Beyond All Boundaries (2009). He made his directorial debut with the short film Matters of Life and Death (2007). In 2010, Mazzello played Dustin Moskovitz in the David Fincher-directed film The Social Network. His performance was well-received by critics, and he and the cast were nominated for several awards. He went on to appear in G.I. Joe: Retaliation as G.I. Joe operative Mouse in 2013, and starred as John Deacon in the 2018 Queen biopic, Bohemian Rhapsody. Description above is from the Wikipedia article Joseph Mazzello, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Joseph Mazzello
Leland Paley
for Leland Paley in The Southern Book Club's Guide to Slaying Vampires
Suggested by elmacho
Patricia Campbell had always planned for a big life, but after giving up her career as a nurse to marry an ambitious doctor and become a mother, Patricia's life has never felt smaller. The days are long, her kids are ungrateful, her husband is distant, and her to-do list is never really done. The one thing she has to look forward to is her book club, a group of Charleston mothers united only by their love for true-crime and suspenseful fiction. In these meetings, they're more likely to discuss the FBI's recent siege of Waco as much as the ups and downs of marriage and motherhood. But when an artistic and sensitive stranger moves into the neighborhood, the book club's meetings turn into speculation about the newcomer. Patricia is initially attracted to him, but when some local children go missing, she starts to suspect the newcomer is involved. She begins her own investigation, assuming that he's a Jeffrey Dahmer or Ted Bundy. What she uncovers is far more terrifying, and soon she--and her book club--are the only people standing between the monster they've invited into their homes and their unsuspecting community
