Age: 23
female
Oona Laurence (born August 1, 2002) is an American actress who is best known for originating the role of Matilda Wormwood in Matilda on Broadway alongside Bailey Ryon, Milly Shapiro, and Sophia Gennusa. She is a New York City-based child actress with credits in film, theatre, and television. After several appearances in regional theatre productions and minor roles in short films and television episodes, in 2012, Laurence auditioned for the new musical Matilda on Broadway. Laurence landed the role of Matilda, performing in the show from March 4 to December 15, 2013. After Matilda, Laurence transitioned to film acting appearing in Tumorhead, A Little Game, The Grief of Others, I Smile Back, Damsel, Lamb, and Southpaw, portraying the daughter of Jake Gyllenhaal and Rachel McAdams' characters. She has appeared on television in Law & Order: Special Victims Unit and Orange Is the New Black. In 2015, Laurence co-starred opposite Jake Gyllenhaal and Rachel McAdams in Antoine Fuqua's Southpaw. In 2016, she co-starred as Natalie in the film Pete's Dragon, and portrayed Jane Mitchell, the daughter of Mila Kunis' character Amy Mitchell, in Bad Moms. In 2017, Laurence co-starred opposite Colin Farrell, Nicole Kidman, Kirsten Dunst, and Elle Fanning in Sofia Coppola's The Beguiled. She is the voice of Hedgehog and additional characters in the Cartoon Network series Summer Camp Island. She also performs the theme song. Laurence lives in New York City and has two younger sisters, Aimee and Jetè, who are also actresses.
When a mysterious show arrives in town, seventeen-year-old Elizabeth Brighton is both intrigued and unsettled. But none of the acts capture her attention quite like the blue-eyed woman. Locked in a birdcage and covered in feathers, the anguish in her voice sounds just a little too real to be an act—because it isn’t. The show’s owner, a sadistic witch known only as the Mistress, is holding her captive. And she’s chosen Elizabeth as her next victim. After watching the blue-eyed woman die, Elizabeth is placed under the same curse. She clings to what little hope she can find in the words of a fortune teller and in her own strange dreams. The more she learns, the more she suspects that the Mistress isn’t as invulnerable as she appears. But time is against her, and every feather that sprouts brings her closer to meeting the blue-eyed woman’s fate. Can Elizabeth unlock the secret to flying free, or will the Mistress’s curse kill her and cage its next victim?
