Age: 37
female
Danielle Riley Keough (/ˈkiːoʊ/ KEE-oh; born May 29, 1989) is an American actress and the eldest grandchild of Elvis Presley. She made her feature film debut in a supporting part in the musical biopic The Runaways (2010), portraying Marie Currie. Keough subsequently starred in the independent thriller The Good Doctor (2011) before being cast in a minor role in Steven Soderbergh's comedy film Magic Mike (2012). She appeared in her first big-budget release in the action feature Mad Max: Fury Road (2015). In 2016, Keough had her breakthrough role as an escort in the first season of the anthology series The Girlfriend Experience, earning a Golden Globe Award nomination for Best Actress. Her performance as a wayward young woman in the drama American Honey (2016) earned her further acclaim, including an Independent Spirit Award nomination for Best Supporting Female. Keough went on to star in the horror film It Comes at Night (2017) and in Soderbergh's heist film Logan Lucky (2017); she then appeared in the horror films The House That Jack Built (2018) and The Lodge (2019). Following a leading role in the comedy-drama Zola (2020), Keough starred in the Amazon Prime Video thriller series The Terminal List (2022) and the drama miniseries Daisy Jones & the Six (2023). The latter earned her nominations for another Golden Globe and a Primetime Emmy Award. Keough is a co-founder of the production company Felix Culpa. She has co-directed the drama War Pony (2022), which won the Caméra d'Or. She became the sole owner of Elvis Presley's estate, Graceland, following her mother, Lisa Marie Presley's death in 2023. Description above from the Wikipedia article Riley Keough, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Calla Fletcher wasn't even two when her mother took her and fled the Alaskan wild, unable to handle the isolation of the extreme, rural lifestyle, leaving behind Calla’s father, Wren Fletcher, in the process. Calla never looked back, and at twenty-six, a busy life in Toronto is all she knows. But when Calla learns that Wren’s days may be numbered, she knows that it’s time to make the long trip back to the remote frontier town where she was born. She braves the roaming wildlife, the odd daylight hours, the exorbitant prices, and even the occasional—dear God—outhouse, all for the chance to connect with her father: a man who, despite his many faults, she can’t help but care for. While she struggles to adjust to this rugged environment, Jonah—the unkempt, obnoxious, and proud Alaskan pilot who helps keep her father’s charter plane company operational—can’t imagine calling anywhere else home. And he’s clearly waiting with one hand on the throttle to fly this city girl back to where she belongs, convinced that she’s too pampered to handle the wild.
