Age: 62
male
Robert Hepler "Rob" Lowe (born March 17, 1964) is an American actor, filmmaker, and entertainment host. Following numerous television roles in the early 1980s, he came to prominence as a teen idol and member of the Brat Pack with starring roles in The Outsiders (1983), Class (1983), The Hotel New Hampshire (1984), Oxford Blues (1984), St. Elmo's Fire (1985), About Last Night... (1986), and Masquerade (1988). Experiencing a career decline in the 1990s, Lowe mostly starred as a lead in direct-to-video and television film productions, while having supporting roles in widely released comedy films like Wayne's World (1992), Tommy Boy (1995), and Austin Powers: The Spy Who Shagged Me (1999). Lowe returned to prominence portraying Sam Seaborn in the NBC political drama series The West Wing (1999–2003), for which he received nominations for a Primetime Emmy Award and two Golden Globe Awards. His other series roles include Robert McCallister on the ABC drama Brothers & Sisters (2006–2010), Chris Traeger on the NBC sitcom Parks and Recreation (2010–2015), and Captain Owen Strand on the Fox drama 9-1-1: Lone Star (2020–2025). He was also nominated for an Actor Award for playing John F. Kennedy in the television film Killing Kennedy (2013) and received another Golden Globe Award nomination for his role of Dr. Jack Startz in Behind the Candelabra (2013). He currently hosts his podcast Literally! with Rob Lowe (2020–present) and the game show The Floor (2024–present).
Seventeen-year-old Bret is a senior at the exclusive Buckley prep school when a new student arrives with a mysterious past. Robert Mallory is bright, handsome, charismatic, and shielding a secret from Bret and his friends even as he becomes a part of their tightly knit circle. Bret’s obsession with Mallory is equaled only by his increasingly unsettling preoccupation with the Trawler, a serial killer on the loose who seems to be drawing ever closer to Bret and his friends, taunting them—and Bret in particular—with grotesque threats and horrific, sharply local acts of violence. The coincidences are uncanny, but they are also filtered through the imagination of a teenager whose gifts for constructing narrative from the filaments of his own life are about to make him one of the most explosive literary sensations of his generation. Can he trust his friends—or his own mind—to make sense of the danger they appear to be in? Thwarted by the world and by his own innate desires, buffeted by unhealthy fixations, he spirals into paranoia and isolation as the relationship between the Trawler and Robert Mallory hurtles inexorably toward a collision.
