Age: 28
female
Mary Elle Fanning (born April 9, 1998) is an American actress. As a child, she made her film debut as the younger version of her sister Dakota Fanning's character in the drama film I Am Sam (2001). She appeared in several other films as a child actress, including Daddy Day Care (2003), Babel (2006), The Curious Case of Benjamin Button and Phoebe in Wonderland (both 2008), and the miniseries The Lost Room (2006). She then had leading roles in Sofia Coppola's drama Somewhere (2010) and J. J. Abrams' science fiction film Super 8 (2011). Fanning played Princess Aurora in the fantasy films Maleficent (2014) and Maleficent: Mistress of Evil (2019) while working in independent films such as Sally Potter's Ginger & Rosa (2012), Nicolas Winding Refn's The Neon Demon (2016), Mike Mills' 20th Century Women (2016), and Coppola's The Beguiled (2017). From 2020 to 2023, she starred as Catherine the Great in the Hulu period satire series The Great, for which she received nominations for a Primetime Emmy Award and two Golden Globe Awards. She has since portrayed Michelle Carter in the Hulu limited series The Girl from Plainville (2022), made her Broadway debut in the play Appropriate (2023), and played a character based on Suze Rotolo in the biographical drama A Complete Unknown (2024). Description above from the Wikipedia article Elle Fanning, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In this dark, existential tale a disillusioned knight, Antonius Block, returns to a plague-stricken Sweden after the Crusades, where he encounters the personification of Death, who challenges him to a game of chess for his life. This encounter sparks a profound exploration of faith, mortality, and the search for meaning in a world seemingly devoid of divine guidance. As the game unfolds, Antonius and his squire, Jöns, journey through the land, encountering various characters and situations, including a troupe of traveling actors and a girl accused of witchcraft. Through these interactions, Antonius grapples with his loss of faith and questions the nature of God and the meaning of existence, while Jöns remains a voice of pragmatic skepticism. The film culminates in a poignant and ambiguous ending, leaving the audience to ponder the nature of life, death, and the human condition.
