
Age: 45
male
Hayden Christensen (born April 19, 1981) is a Canadian actor. He is best known for his portrayal of Anakin Skywalker / Darth Vader in the Star Wars media franchise. He first appeared in the prequel trilogy films, Star Wars: Episode II – Attack of the Clones (2002) and Star Wars: Episode III – Revenge of the Sith (2005), and later reprised his role with a voice cameo in Star Wars: The Rise of Skywalker (2019), and as the main antagonist in the Disney+ series Obi-Wan Kenobi (2022). He will also reprise his role in the upcoming Disney+ series Ahsoka (2023).\n\nChristensen began his career on Canadian television at the age of 13, then diversified into American television in the late 1990s. His early work includes Sofia Coppola's The Virgin Suicides (1999), Life as a House (2001), and Shattered Glass (2003), to which he earned critical acclaim for his performances as Sam in Life as a House and as Stephen Glass in Shattered Glass. Christensen's honours include the nominations for a Golden Globe Award and a Screen Actors Guild Award, as well as the Cannes Film Festival's Trophée Chopard. His other notable works in both blockbuster and independent films include Awake (2007), Jumper (2008), Takers (2010), and Little Italy (2018).

Hayden Christensen

Ministaer
for Ministaer in The Serpent and the Wings of Night
Suggested by rmsx3090

The adopted human daughter of the Nightborn vampire king, Oraya carved her place in a world designed to kill her. Her only chance to become something more than prey is entering the Kejari: a legendary tournament held by the goddess of death herself. But winning won’t be easy, pitting Oraya against the most vicious warriors from all three vampire houses. To survive, she will be forced to make an alliance with a mysterious rival. Everything about Raihn is dangerous. He is a ruthless vampire, an efficient killer, an enemy to her father’s crown – and her greatest competition. Yet, what terrifies Oraya most of all is that she finds herself oddly drawn to him. But there’s no room for compassion in the Kejari – and nothing more deadly than love . . .