Age: 35
female
Rachel Brosnahan (born July 12, 1990) is an American actress. She is best known for portraying an aspiring stand-up comedian in the Amazon Prime Video period comedy series The Marvellous Mrs. Maisel (2017–2023), for which she won a Primetime Emmy Award in 2018 and two consecutive Golden Globe Awards in 2018 and 2019.On television, she was Emmy-nominated for the political thriller series House of Cards (2013–2015) and acted in the drama series Manhattan (2014–2015). Brosnahan made her film debut in the horror film The Unborn (2009) and has acted in Beautiful Creatures (2013), Louder Than Bombs (2015), The Finest Hours (2016), Patriots Day (2016), Spies in Disguise (2019), The Courier (2020), and I'm Your Woman (2020). On stage, she made her Broadway debut in the 2013 revival of the Clifford Odets play The Big Knife. She played Desdemona in the 2016 off-Broadway production of Othello and returned to Broadway in the 2023 revival of the Lorraine Hansberry play The Sign in Sidney Brustein's Window. Description above from the Wikipedia article Rachel Brosnahan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
She’s rewriting his love story. But can she rewrite her own? Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies―good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates―The Charlie Yates! Her personal writing god!―it’s a break too big to pass up. Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone―much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script―it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme. But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter―even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules―and comes true?
