
Age: 29
female
Chloë Grace Moretz is an American actress. She began acting as a child, with early roles in the supernatural horror film The Amityville Horror (2005), the drama series Desperate Housewives (2006–07), the supernatural horror film The Eye (2008), the drama film The Poker House (2008), the drama series Dirty Sexy Money (2007–08), the romantic comedy film 500 Days of Summer (2009) and the children's comedy film Diary of a Wimpy Kid (2010). Her breakthrough came in 2010 with her critically acclaimed performances as Hit-Girl in the superhero film Kick-Ass and as a child vampire in the horror film Let Me In. Moretz starred in Martin Scorsese's historical adventure film Hugo (2011), Tim Burton's horror comedy film Dark Shadows (2012), the satirical sitcom 30 Rock (2011-2013), reprised her role as Hit-Girl in Kick-Ass 2 (2013) and portrayed Carrie White in the supernatural horror film Carrie (2013). In 2014, Moretz starred in the award-winning drama film Clouds of Sils Maria (2014), the teen romantic drama If I Stay (2014) and the vigilante action film The Equalizer (2014). She also starred in the mystery thriller film Dark Places (2015), the science fiction action film The 5th Wave (2016) and the comedy film Neighbors 2: Sorority Rising (2016). In 2016, Moretz announced she was "re-assessing" her choice of roles and was dropping out of several projects, including Universal Studios' live-action adaptation of The Little Mermaid. Moretz's following roles include the drama film The Miseducation of Cameron Post (2018), Neil Jordan's drama thriller film Greta (2018), the action horror film Shadow in the Cloud (2020) and the science fiction film Mother/Android (2021). She voiced Wednesday Addams in The Addams Family (2019) and The Addams Family 2 (2021). Moretz's stage work includes her starring role in the original off-Broadway production of The Library (2014) at The Public Theater in New York City.

Chloë Grace Moretz

Magenta
for Magenta in The Rocky Horror Picture Show
Suggested by reclaimer

While driving home during a rain filled night, straight-laced lovebirds Brad Majors and Janet Weiss end up by chance at the castle of one Dr. Frank-N-Furter and his strange and bizarre entourage, and find that he's having a party. This is no ordinary party, no ordinary night. This is the unveiling of the doctor's latest creation: Rocky Horror, a man-made Adonis that will give absolute pleasure. Over the course of the night, Frank seduces both Brad and Janet, Janet and Rocky become biblically involved, and Dr. Everett Von Scott arrives looking for his nephew Eddie (whom Frank killed earlier in this film). This is an exceedingly grand visual and musical camp satire of the golden days of the B-movie horror and science-fiction genres. Projected along with a musical soundtrack to give audience participation a new meaning in dimension, time and space, this shall be a night that both Brad and Janet will remember for a very long time in the sexually kinky, rock 'n roll, rock-opera world of a gender-bending scientist - and his time warped plans.





