Age: 35
female
Emma Rose Roberts (born February 10, 1991) is an American actress, singer and producer. Known for her performances spanning multiple film and television genres, her work in the horror and thriller genres has established her as a scream queen. Roberts has received various accolades, including a Young Artist Award, an MTV Movie & TV Award, and a ShoWest Award. After making her acting debut in the crime film Blow (2001), Roberts gained recognition for her lead role as Addie Singer on the Nickelodeon television teen sitcom Unfabulous (2004–2007). She released her debut soundtrack album, Unfabulous and More, for the series in 2005. She went on to appear in numerous films including Aquamarine (2006), Nancy Drew (2007), Wild Child (2008), Hotel for Dogs (2009), Valentine's Day (2010), It's Kind of a Funny Story (2010), and The Art of Getting By (2011). Looking for more mature roles, Roberts had starring roles in the films Lymelife (2008), 4.3.2.1. (2010), Scream 4 (2011), Adult World (2013), We're the Millers (2013), and Gia Coppola's Palo Alto (2013). She has since appeared in The Blackcoat's Daughter (2015), Nerve (2016), Who We Are Now (2017), Paradise Hills (2019), Holidate (2020), and the Marvel superhero film Madame Web (2024). She gained further recognition for her starring roles in multiple seasons of the FX anthology horror series American Horror Story (2013–present) and for the lead role of Chanel Oberlin on the Fox comedy horror series Scream Queens (2015–2016). She is also the co-founder of the book club Belletrist. Description above from the Wikipedia article Emma Roberts, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Emma Roberts
Janet Weiss
for Janet Weiss in The Rocky Horror Picture Show
Suggested by camisade
While driving home during a rain filled night, straight-laced lovebirds Brad Majors and Janet Weiss end up by chance at the castle of one Dr. Frank-N-Furter and his strange and bizarre entourage, and find that he's having a party. This is no ordinary party, no ordinary night. This is the unveiling of the doctor's latest creation: Rocky Horror, a man-made Adonis that will give absolute pleasure. Over the course of the night, Frank seduces both Brad and Janet, Janet and Rocky become biblically involved, and Dr. Everett Von Scott arrives looking for his nephew Eddie (whom Frank killed earlier in this film). This is an exceedingly grand visual and musical camp satire of the golden days of the B-movie horror and science-fiction genres. Projected along with a musical soundtrack to give audience participation a new meaning in dimension, time and space, this shall be a night that both Brad and Janet will remember for a very long time in the sexually kinky, rock 'n roll, rock-opera world of a gender-bending scientist - and his time warped plans.
