
Age: 80
male
John Arthur Lithgow (born October 19, 1945) is an American actor. He studied at Harvard University and the London Academy of Music and Dramatic Art before becoming known for his diverse work on stage and screen. He has received numerous accolades, including six Primetime Emmy Awards, two Golden Globe Awards, and two Tony Awards, as well as nominations for two Academy Awards, a British Academy Film Award, four Grammy Awards, four Screen Actors Guild Awards, and a Laurence Olivier Award. Lithgow won two Tony Awards, his first for Best Featured Actor in a Play for his Broadway debut in The Changing Room (1972) and his second for Best Actor in a Musical for the musical Sweet Smell of Success (2002). He was Tony-nominated for Requiem for a Heavyweight (1985), M. Butterfly (1988), and Dirty Rotten Scoundrels (2005). He has acted in the plays The Columnist (2012), A Delicate Balance (2014), and Hillary and Clinton (2019). He portrayed Roald Dahl in the play Giant on the West End, for which he was nominated for the Olivier Award for Best Actor. He starred as Dick Solomon in the television sitcom 3rd Rock from the Sun (1996–2001), winning three Primetime Emmy Awards for Best Actor in a Comedy Series. He received further Primetime Emmy Awards for his performances as Arthur Mitchell in the drama Dexter (2009) and as Winston Churchill in the Netflix drama The Crown (2016–2019). He also starred in HBO's Perry Mason (2020) and FX's The Old Man (2022). On film, he has received two Academy Awards for Best Supporting Actor nominations for his roles as a transgender ex-football player in The World According to Garp (1982) and a lonely banker in Terms of Endearment (1983). He also acted in All That Jazz (1979), Blow Out (1981), Footloose (1984), Harry and the Hendersons (1987), A Civil Action (1998), Shrek (2001), Kinsey (2004), Rise of the Planet of the Apes (2011), Love Is Strange (2014), Interstellar (2014), Late Night (2019), Bombshell (2019), Killers of the Flower Moon (2023), and Conclave (2024).

John Lithgow

Dr. Everett V. Scott
for Dr. Everett V. Scott in The Rocky Horror Picture Show
Suggested by camisade

While driving home during a rain filled night, straight-laced lovebirds Brad Majors and Janet Weiss end up by chance at the castle of one Dr. Frank-N-Furter and his strange and bizarre entourage, and find that he's having a party. This is no ordinary party, no ordinary night. This is the unveiling of the doctor's latest creation: Rocky Horror, a man-made Adonis that will give absolute pleasure. Over the course of the night, Frank seduces both Brad and Janet, Janet and Rocky become biblically involved, and Dr. Everett Von Scott arrives looking for his nephew Eddie (whom Frank killed earlier in this film). This is an exceedingly grand visual and musical camp satire of the golden days of the B-movie horror and science-fiction genres. Projected along with a musical soundtrack to give audience participation a new meaning in dimension, time and space, this shall be a night that both Brad and Janet will remember for a very long time in the sexually kinky, rock 'n roll, rock-opera world of a gender-bending scientist - and his time warped plans.





