Age: 51
male
José Pedro Balmaceda Pascal (Spanish: [xoˈseˈpeðɾo βalmaˈseða pasˈkal]; born April 2, 1975) is a Chilean and American actor. After nearly two decades of taking small roles on stage and television, Pascal had his breakout role as Oberyn Martell in the fourth season of the HBO fantasy series Game of Thrones (2014). He gained further prominence with his portrayal of Javier Peña in the Netflix crime series Narcos (2015–2017). He went on to appear in the films The Great Wall(2016), Kingsman: The Golden Circle (2017), The Equalizer 2 (2018), and Triple Frontier (2019). Pascal's leading roles as Din Djarin in the Disney+ science fiction series The Mandalorian (2019–2023) and Joel Miller in the HBO post-apocalyptic drama series The Last of Us (2023–present) propelled him to international stardom, earning him a reputation for portraying adoptive father figures. For the latter role, he received numerous accolades, including a Screen Actors Guild Award and nominations for a Golden Globe Award and Primetime Emmy Award. He also portrayed parental characters in We Can Be Heroes (2020), Strange Way of Life (2023), and The Wild Robot (2024). Pascal has also starred in the big-budget films Wonder Woman 1984 (2020) and Gladiator II (2024). He plays Reed Richards / Mister Fantastic in the Marvel Cinematic Universe, beginning with The Fantastic Four: First Steps (2025). Active in theatre since 1999, he made his Broadway debut as Edmund in a 2019 adaptation of King Lear. In 2023, Time Magazine named him one of the 100 most influential people in the world. Description above from the Wikipedia article Pedro Pascal, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Pedro Pascal
Jorge Herrera
for Jorge Herrera in NO HAY VUELTA (2026)
Suggested by amrowe8596
In modern-day America, 22-year-old DACA recipient Camila Herrera is thrown into crisis when her undocumented mother is detained by ICE. Desperate to save her, Camila reaches out to her estranged father Jorge, who was deported years ago and now lives in Tijuana under a false name. He illegally crosses the border to help, and father and daughter — virtual strangers — embark on an emotional road trip across the Southwest, trying to reach her mother’s immigration hearing in time. Along the way, they stop in Tucson to stay with Rafael, Jorge’s disillusioned cousin and a former immigration activist who warns them that hope is a dangerous thing. With ICE closing in, Jorge is captured again, and Camila must face the system alone. When her mother chooses deportation over indefinite detention, Camila is left to start over — hollowed out but quietly defiant. A slow-burning, devastating portrait of family, memory, and survival in a country that never fully lets you belong.
