
Age: 55
male
Josh Lucas (born June 20, 1971) is an American actor. He has starred alongside Jon Voight in Jerry Bruckheimer's Glory Road (2006), Kurt Russell and Richard Dreyfuss in Wolfgang Petersen's Poseidon (2006), Morgan Freeman and Robert Redford in Lasse Hallström's An Unfinished Life (2005), Jamie Bell in David Gordon Green's Undertow (2004), which was also produced by Terrence Malick. Other credits include Ford v Ferrari (2019), The Lincoln Lawyer (2011), Hulk (2003), A Beautiful Mind (2001), Wonderland (2003), The Deep End (2001), American Psycho (2000), Session 9 (2001), and You Can Count on Me (2000). Lucas' theater credits include the recent off-Broadway run of "Spalding Gray: Stories Left to Tell"; Tennessee Williams' "The Glass Menagerie," which appeared on Broadway in 2005; Terrence McNally's "Corpus Christi" at the Manhattan Theater Club; Christopher Shinn's "What Didn't Happen"; and "The Picture of Dorian Gray." Lucas recently completed his second collaboration with documentary filmmaker Ken Burns on "The War" (2007). Lucas' other documentary work includes the upcoming Operation Homecoming: Writing the Wartime Experience (2007), Trumbo (2007), and Resolved (2007). Lucas recently completed his first venture into production with Stolen Lives (2009), in which he plays the single father of a mentally challenged boy. This film is the first project to be produced through Lucas' production company, Two Bridges.

Pete Banning was Clanton's favourite son, a returning war hero, the patriarch of a prominent family; a farmer, father, and a faithful member of the Methodist Church. Then one cool October morning in 1946, he rose early, drove into town, walked into the Church, and calmly shot and killed the Reverend Dexter Bell. As if the murder wasn't shocking enough, it was even more baffling that Pete's only statement about it - to the sheriff, to his defense attorney, to the judge, to his family and friends, and to the people of Clanton - was 'I have nothing to say'. What turned Pete from a pillar of the community into cold-hearted killer? And why won't he confide in anyone? All his closest family knows is that it must have been something devastating - and that the fallout will haunt them, and the town, for decades to come . . .



