Age: 45
male
Christopher Whitelaw Pine (born August 26, 1980) is an American actor. He is best known for his roles as James T. Kirk in the Star Trek reboot film series (2009–2016) and Steve Trevor in the DC Extended Universe films Wonder Woman (2017) and Wonder Woman 1984 (2020). Pine rose to prominence for his roles in the romantic comedies The Princess Diaries 2 (2004) and Just My Luck (2006). His roles include Cinderella's Prince in Into the Woods (2014), Jack Ryan in Jack Ryan: Shadow Recruit (2014), Bernie Webber in The Finest Hours (2016), and Robert the Bruce in Outlaw King (2018). He starred in Unstoppable (2010), Rise of the Guardians (2012), Hell or High Water (2016), The Contractor, Don't Worry Darling (both 2022), and Dungeons & Dragons: Honor Among Thieves (2023). Pine made his directorial debut with Poolman (2023).
Chris Pine
Alan Scarpio
for Alan Scarpio in The Quiet Room: A Rabbits Novel
Suggested by novice_caster
The lore and legends around the underground game known as Rabbits gain new dimensions in The Quiet Room, a twisty tale set in the world of the hit Rabbits podcast. After nearly winning the eleventh iteration of Rabbits, the mysterious alternate reality game so vast it uses the entire world as its canvas, Emily Connors suddenly finds herself trapped in a dimensional stream where the game does not exist. At all. Except . . . why do sinister figures show up to stop her every time she goes looking? Does Rabbits truly not exist, or is it being hidden? And if it’s being hidden, why—and by whom? Meanwhile, architect and theme park designer Rowan Chess is having the weirdest month of his life, full of odd coincidences and people who appear one moment and vanish the next, with no trace they ever even existed. The game that is hiding from Emily seems to have found Rowan—with a vengeance. But only when Rowan and Emily meet do things start to get dangerous, for together they uncover a conspiracy far deeper and deadlier than either of them expected—one that could forever change the nature not only of the game, but of reality itself.
