Age: 76
female
Dame Julia Mary Walters DBE (born February 22, 1950), known professionally as Julie Walters, is an English actress, author, and comedian. She is the recipient of four British Academy Television Awards, two British Academy Film Awards, two International Emmy Awards, a BAFTA Fellowship, and a Golden Globe. Walters has been nominated twice for an Academy Award: once for Best Actress and once for Best Supporting Actress. Walters rose to prominence playing the title role in Educating Rita (1983), a role which she originated in West End theatre. She has appeared in a number of films, including Personal Services (1987), Stepping Out (1991), Sister My Sister (1994), Billy Elliot (2000), the Harry Potter series (2001–2011) as Molly Weasley, Calendar Girls (2003), Wah-Wah (2005), Driving Lessons (2006), Becoming Jane (2007), Mamma Mia! (2008) and Mamma Mia! Here We Go Again (2018), Brave (2012), Paddington (2014) and its 2017 sequel, Brooklyn (2015), Film Stars Don't Die in Liverpool (2017), and Mary Poppins Returns (2018). On stage, she won a Laurence Olivier Award for Best Actress for the 2001 production of All My Sons. On television, Walters collaborated with Victoria Wood; they appeared together on several television shows, including Wood and Walters (1981), Victoria Wood: As Seen on TV (1985–1987), Pat and Margaret (1994), and Dinnerladies (1998–2000). She has won the British Academy Television Award for Best Actress four times, more than any other actress, for My Beautiful Son (2001), Murder (2002), The Canterbury Tales (2003), and her portrayal of Mo Mowlam in Mo (2010). Walters and Helen Mirren are the only actresses to have won this award three consecutive times, and Walters is tied with Judi Dench for the most nominations in the category with seven. In 2006, the British public voted Walters fourth in ITV's poll of TV's 50 Greatest Stars as part of ITV's 50th anniversary celebrations. She starred in A Short Stay in Switzerland (2009), which won her an International Emmy for Best Actress. Walters was made a Dame (DBE) in the 2017 Birthday Honours for services to drama.
Julie Walters
The Ancient Booer
for The Ancient Booer in The Princess Bride
Suggested by jacksonswindell23
An elderly man reads the book "The Princess Bride" to his sick and thus currently bedridden adolescent grandson, the reading of the book which has been passed down within the family for generations. The grandson is sure he won't like the story, with a romance at its core, he preferring something with lots of action and "no kissing". But the grandson is powerless to stop his grandfather, whose feelings he doesn't want to hurt. The story centers on Buttercup, a former farm girl who has been chosen as the princess bride to Prince Humperdinck of Florian. Buttercup does not love him, she who still laments the death of her one true love, Westley, five years ago. Westley was a hired hand on the farm, his stock answer of "as you wish" to any request she made of him which she came to understand was his way of saying that he loved her. But Westley went away to sea, only to be killed by the Dread Pirate Roberts. On a horse ride to clear her mind of her upcoming predicament of marriage, Buttercup is kidnapped by a band of bandits: Vizzini who works on his wits, and his two associates, a giant named Fezzik who works on his brawn, and a Spaniard named Inigo Montoya, who has trained himself his entire life to be an expert swordsman. They in turn are chased by the Dread Pirate Roberts himself. But chasing them all is the Prince, and his men led by Count Tyrone Rugen. What happens to these collectives is dependent partly on Buttercup, who does not want to marry the Prince, and may see other options as lesser evils, and partly on the other motives of individuals within the groups. But a larger question is what the grandson will think of the story as it proceeds and at its end, especially as he sees justice as high a priority as action.
