Age: 76
male
William Francis Nighy (born 12 December 1949) is an English actor. Known for his work on screen and stage, he has received numerous awards, including two BAFTA Awards, a Golden Globe Award and nominations for an Academy Award and a Tony Award. Nighy started his career with the Everyman Theatre, Liverpool and made his London debut with the Royal National Theatre starting with The Illuminatus! in 1977. There he gained acclaim for his roles in David Hare's Pravda in 1985, Harold Pinter's Betrayal in 1991, Tom Stoppard's Arcadia in 1993, and Anton Chekov's The Seagull in 1994. He received a Laurence Olivier Award for Best Actor nomination for his performance in Blue/Orange in 2001. He made his Broadway debut in Hare's The Vertical Hour in 2006, and returned in the 2015 revival of Hare's Skylight earning a Tony Award for Best Actor in a Play nomination. Early film roles include in the comedies Still Crazy (1998), and Blow Dry (1999) before his breakout role in Love Actually (2003) which earned him a BAFTA Award for Best Supporting Actor. He soon gained recognition portraying Davy Jones in the Pirates of the Caribbean film series (2006-2007), and Viktor in the Underworld film series (2003-2009). Other films include Shaun of the Dead (2004), The Hitchhiker's Guide to the Galaxy (2005), The Constant Gardener (2005), Notes on a Scandal (2006), Hot Fuzz (2007), Valkyrie (2008), Harry Potter and the Deathly Hallows – Part 1 (2010), The Best Exotic Marigold Hotel (2012), About Time (2013), Emma (2020), and Living (2022), the last of these earning him his first career Academy Award nomination. Nighy has gained acclaim for his roles in television earning a British Academy Television Award for Best Actor for his performance in BBC One series State of Play (2003), and a Golden Globe Award for Best Actor for the BBC film Gideon's Daughter (2007). He's also known for his roles in HBO's The Girl in the Café (2006) and PBS's Page Eight (2012).
An elderly man reads the book "The Princess Bride" to his sick and thus currently bedridden adolescent grandson, the reading of the book which has been passed down within the family for generations. The grandson is sure he won't like the story, with a romance at its core, he preferring something with lots of action and "no kissing". But the grandson is powerless to stop his grandfather, whose feelings he doesn't want to hurt. The story centers on Buttercup, a former farm girl who has been chosen as the princess bride to Prince Humperdinck of Florian. Buttercup does not love him, she who still laments the death of her one true love, Westley, five years ago. Westley was a hired hand on the farm, his stock answer of "as you wish" to any request she made of him which she came to understand was his way of saying that he loved her. But Westley went away to sea, only to be killed by the Dread Pirate Roberts. On a horse ride to clear her mind of her upcoming predicament of marriage, Buttercup is kidnapped by a band of bandits: Vizzini who works on his wits, and his two associates, a giant named Fezzik who works on his brawn, and a Spaniard named Inigo Montoya, who has trained himself his entire life to be an expert swordsman. They in turn are chased by the Dread Pirate Roberts himself. But chasing them all is the Prince, and his men led by Count Tyrone Rugen. What happens to these collectives is dependent partly on Buttercup, who does not want to marry the Prince, and may see other options as lesser evils, and partly on the other motives of individuals within the groups. But a larger question is what the grandson will think of the story as it proceeds and at its end, especially as he sees justice as high a priority as action.
