Age: 47
male
Óscar Isaac Hernández Estrada (born March 9, 1979) is an American actor. Recognized for his versatility, he has been credited with breaking stereotypes about Latino characters in Hollywood. He was named the best actor of his generation by Vanity Fair in 2017 and one of the 25 greatest actors of the 21st century by The New York Times in 2020. His accolades include a Golden Globe Award and a nomination for a Primetime Emmy Award. In 2016, he featured on Time's list of the 100 most influential people in the world. Born in Guatemala, Isaac moved with his family to the United States as an infant. As a teenager, he joined a punk band, acted in plays and made his film debut in a minor role. A graduate of the Juilliard School, Isaac was a character actor in films for much of the 2000s. His first major role was that of Joseph in the biblical drama The Nativity Story (2006), and he won an AACTA Award for Best Actor in a Supporting Role for portraying political leader José Ramos-Horta in the Australian film Balibo (2009). After gaining recognition for playing supporting parts in Robin Hood (2010) and Drive (2011), Isaac had his breakthrough with the eponymous role of a singer in the musical drama Inside Llewyn Davis (2013), which earned him a Golden Globe nomination. Isaac's career progressed with leading roles in the crime drama A Most Violent Year (2014), the thriller Ex Machina (2015) and the superhero film X-Men: Apocalypse (2016). He became a global star with the role of Poe Dameron in the Star Wars sequel trilogy (2015–2019). Isaac starred in the historical drama Operation Finale (2018)—which marked his first venture into production—the science fiction films Annihilation (2018), Dune (2021), and Frankenstein (2025), the crime drama The Card Counter (2021), and the animated superhero film Spider-Man: Across the Spider-Verse (2023). On television, Isaac was the lead in three miniseries: Show Me a Hero (2015), in which his portrayal of Nick Wasicsko won him a Golden Globe Award, Scenes from a Marriage (2021), and the Marvel Cinematic Universe's Moon Knight (2022). His stage work includes title roles in Romeo and Juliet (2007), Hamlet (2017) and The Sign in Sidney Brustein's Window (2023). Description above from the Wikipedia article Oscar Isaac, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Oscar Isaac
Inigo Montoya
for Inigo Montoya in The Princess Bride
Suggested by mike1seravello
An elderly man reads the book "The Princess Bride" to his sick and thus currently bedridden adolescent grandson, the reading of the book which has been passed down within the family for generations. The grandson is sure he won't like the story, with a romance at its core, he preferring something with lots of action and "no kissing". But the grandson is powerless to stop his grandfather, whose feelings he doesn't want to hurt. The story centers on Buttercup, a former farm girl who has been chosen as the princess bride to Prince Humperdinck of Florian. Buttercup does not love him, she who still laments the death of her one true love, Westley, five years ago. Westley was a hired hand on the farm, his stock answer of "as you wish" to any request she made of him which she came to understand was his way of saying that he loved her. But Westley went away to sea, only to be killed by the Dread Pirate Roberts. On a horse ride to clear her mind of her upcoming predicament of marriage, Buttercup is kidnapped by a band of bandits: Vizzini who works on his wits, and his two associates, a giant named Fezzik who works on his brawn, and a Spaniard named Inigo Montoya, who has trained himself his entire life to be an expert swordsman. They in turn are chased by the Dread Pirate Roberts himself. But chasing them all is the Prince, and his men led by Count Tyrone Rugen. What happens to these collectives is dependent partly on Buttercup, who does not want to marry the Prince, and may see other options as lesser evils, and partly on the other motives of individuals within the groups. But a larger question is what the grandson will think of the story as it proceeds and at its end, especially as he sees justice as high a priority as action.
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